THEATER IN MENDOZA

When Politti graduated from the School of Dramatic Arts, he joined the full-time cast at the university and later, the casts of other independent theater groups. "In Mendoza, professional theater as we know it did not exist. The university paid me a salary but it was not a living wage. So I made ends meet doing office work." In 1955, when Galina Tomalcheva retired from the faculty of the School of Dramatic Arts, Politti stepped into a paid position.

"I started out earning 600 pesos a month. That money bought me coffee, cigarettes, movie tickets…For a long time, I lived with very little because I was used to how I had grown up – my old man was a blue collar worker. Something special happened to me in Mendoza: the critics and the public liked me. On stage, I was the actor – the one who never failed and had all the most important roles."

 

Excerpt from "Luis Politti: cadencias y otros cielos,"
Fabián Stolovitzky, Ediciones Corregidor, Buenos Aires, 1995

 

     

In "Montserrat"

 

In Florencio Sánchez 's "M'hijo el dotor"

 

In Lope de Vega's "Fuenteovejuna"

In Sergio Prokofiev's "Peter and the Wolf"

 

In "Montserrat"

In one of the plays he did in Mendoza